![]() ![]() In Die Hard with a Vengeance, the hero unwittingly enters an elevator with no less than five mooks disguised as law enforcement.In Danny the Dog, the final action sequence features a few moments of fighting in a tiny bathroom, with both combatants mere inches from each other.They were interrupted, and the witnesses (not actors or extras!) couldn't seem to believe what they were seeing. Such a fight happens in Borat between two naked guys.Cut to the outside of the lift and the sound of gunfire. They breathe a sigh of relief as the doors start to close, thinking they have escaped her, only to realize as the doors finish closing that she is in there with them. 1: When Ikko is fighting her way into the penthouse where Chiaki is holed up, a gang of yakuza thugs who have being trying to stop her fall back into the lift. Hicks fires at point black range, killing the alien but spraying acidic blood over his body armour. then they do until an alien does a Deadly Lunge from the corridor outside, forcing the doors open again. They push the button and there's a moment of suspense when the doors don't close. Ripley and Hicks run for the elevator leading to the landing pad. An inclined elevator version occurs at the end of the 1986 crime drama 8 Million Ways to Die, with the climatic shoot-out taking place on funicular.Given their targets never get a chance to react, it's more Elevator Execution than Elevator Action Sequence. A couple floors later, the elevator stops, Kirika and Mireille step in, shoot the bodyguards, shoot the boss, and then leave. A mafia boss enters an elevator with two bodyguards. A brief one occurs in one episode of Noir.In K: Return of Kings, Seri and Izumo infiltrate a formal party hosted by the villains, and end up fighting mooks in an elevator, in fancy clothes.Bonus points for the chapter actually being called "Elevator Action". Shows up in Hellsing, but since it is Alucard, it's more of a Elevator Massacre Sequence.The sequence may be the Trope Codifier for the inclined elevator variant in general, and understandably inspired many imitators and shoutouts - the room at the end of one such fight in Half-Life 1, for instance, is a direct recreation of the base of the elevator from AKIRA, matching up perfectly with a panel from the original manga. A truly epic example of the inclined elevator form pops up in AKIRA, eventually becoming an explosive Mêlée à Cinq as various parties first try to ride, prevent, and/or beat the elevator to the bottom of the shaft, and then try to get back to the surface in one piece. ![]() The doors open at the top of the mountain to reveal that Afro killed him somewhere on the way up. ![]() Heavily implied in Afro Samurai, when Brother 1 starts machine-gunning the elevator Afro and Ninja are in while standing on it.Has nothing to do with the Elevator Action series of video games, which has you fighting people pretty much everywhere except the elevators. Sister trope of the Cable-Car Action Sequence. Its polar opposite is the lack of action in an Uncomfortable Elevator Moment.Ĭompare Elevator Escape, where the action comes from the villain or monster reaching through the closing elevator doors. This trope is not to be confused with Elevator Going Down, which is another form action entirely. Lift of Doom is a specific variant, usually found in Platform Games. Often parodied by having two combatants fight their way inside the elevator, then calmly wait for the elevator to arrive before resuming the fight. Although those games are out of vogue these days, examples can still be found occasionally in platformers, Action games and RPGs. This tropes is most common in early nineties Beat 'em Up games, which often used a moving platform rather than an enclosed elevator, allowing the player to throw enemies off the side. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |